He calls himself a ‘bourbon aficionado’, we call him a ‘bourbon nut’, so when we were looking around for someone to go and try a range of barrel strength whiskeys and bourbons we just had to send photo-journalist Neil Hennessy-Vass. After all it was 9.45am on a Monday morning.
The Cognac industry suffers more than most from the tyranny of the world’s economic cycles, but it is currently in rude health, with annual growth at 10%, driven by the high-value premium market. For the 300 year-old Cognac house, Rémy Martin, projects such as Carte Blanche which has a price tag of £350, are an important part of its super-premium offering. It also gives its Cellar Master Baptiste Loiseau an amazingly free hand in choosing the style of Cognac he wants to be making.
“I have been given the keys to the car and it’s up to me now to drive it.” That’s how Michael Saunders reflects on the chance he has been given to take back his old job as chief executive of Bibendum-PLB as its new owners, the C&C Group, look to kick on from the disaster of Conviviality PLC, and find a safe pair of hands to not only bring much needed stability to the business, but push forward and drive margins and profits through the company.
When we asked bourbon nut Neil Hennessy-Vass to cover a tasting of the new Four Roses Small Batch, Cask Strength Bourbon with master distiller Brent Elliot, we didn’t expect him to swallow. Neil did. And he left tasting venue Hedonism with a hedonistic smile. A big one. Beauties like this only come along once in a year. Take it away Neil….
The evening of the Diageo Special Releases is always a key date in the calendar for whisky aficionados. Now into its 16th year this is when Diageo shows off the latest releases of fine and very rare whisky – with price tags to match. The Port Ellen, a deceased distillery, is now being offered for £2,625 a bottle. The company used the occasion to launch a new product, a blend, called Collectivum XXVIII which got the thumbs up from Philip Hunter.
Philip Hunter taste-tests the three single grain whiskies that form the new blend Chita, which has just had its UK debut. He drinks it a number of ways and ends up rather taking to it, even though his initial reaction was to have a problem with the musky phenolics.
The warning signs were everywhere at last night’s London launch of new Isle of Harris Gin. Not only were the G&Ts of industrial strength but drinks consultant Douglas Blyde was at the controls to show us how to make the perfect Martini. That was before the assembled throng were then encouraged to enter a Martini-making competition. Despite how messy it got there was one thing that shone through like a lighthouse beam and it was the spectacular umami of sugar kelp – the gin’s key botanical.
Gin has become such a phenomenon not just within the bars, restaurants and pubs that sell it, but with consumers who will happily try any new brand on the market. Such is the interest in gin it has now been given the big screen treatment with its own movie dedicated to the art of distilling and gin making.
Most people luxuriating in the balmy climes of South Africa might take to the beach or safari. At the very worst they might head to a winery to partake in some chilled Chenin Blanc or Chardonnay. Not our Roger Jones who heads for a mammoth tasting of spirits from many of the world’s top Brandy producers – trying to find out why South African Brandy has dominated international award ceremonies in recent years. And then he heads off for a tasting at a distillery. Oh, and there’s one bit where Roger has to turn off his phone and leave it outside the room. Don’t worry Rog your secret is safe with us!
Drinks guru and gin distiller, Nick Strangeway, has helped Britvic’s new incubator company WiseHead Productions develop its new range of premium tonics and mixers that he believes helps put the spotlight on the botanicals in a gin. The Buyer was on hand to see him and the new premium mixers brand, the London Essence Company, bring the tonics to life.