The interest and diversity in organic wines has arguably never been stronger, which makes next week’s Millesime Bio trade fair even more important than normal, as it expects to welcome buyers from all over the world, with a strong, and loyal delegation coming from the UK. Here Nicolas Richarme, president of SudVinBio, and a producer himself at Château de Bastet in France’s Occitanie, on what is in store for them in Montpellier.
As owner and founder of the European airline, Wizz Air, József Váradi knows how to build a successful international business. He’s now bringing those skills to the wine sector with the Juliet Victor Winery which he hopes can help showcase the very best of what Hungary can offer, particularly with Furmint and Tokaj wines. Ahead of next month’s Furmint February tasting, Váradi explains his approach to quality winemaking and how he hopes to takes his wines around the world, starting in the UK.
There are few banks that understand agriculture as well as Crédit Agricole – the world’s largest cooperative financial institution which was founded on and has continued to flourish through its relationship with farming. Its fine wine arm CA Grands Crus appointed a new managing director this summer, Anne Le Naour, a trained oenologist who set our her vision at a trade lunch in London which includes making considerable changes to the vineyards of their key three properties Châteaux Grand-Puy Ducasse, Meyney and Santenay, selling two other chateaux as well as purchasing more vineyards in Burgundy. Geoffrey Dean was there to pop the questions.
When Australian wine started to lose its mojo 15-20 years ago, Neil McGuigan, who has just departed as CEO of Australian Vintage Ltd, decided to do something about it. He felt that going back to basics and over-delivering at every price point was the route forwards – and using the size of the company to its advantage. Every year, for example, he holds back 500-1000 cases of many of his wines so he can deliver them to the trade ready-aged, the company has a major innovation programme and sees international awards as a key component. Geoffrey Dean caught up with McGuigan over a tasting of four vintages each of the McGuigan Shortlist Riesling and McGuigan Bin 9000 Semillon
“We think differently from our competitors,” is how Edouard Baijot MW sums up E&J Gallo’s commitment to transforming its super premium wine portfolio that has seen it spend over $1bn in the last five years alone on acquiring new wineries and brands. The key for Gallo when it comes to super premium wines is control. Which means being able to manage every step of the winemaking process – from grape to glass. It now means at last 70% of its revenue now comes from brands that did not exist in Gallo 15 years ago and 40% with brands it did not have 10 years ago. Here Baijot sets out the strategy that has redefined its super premium wine offer.
When Brut Elite Cuvee 1501 was adjudged to be Australia’s finest sparkling wine at this year’s Champagne & Sparkling Wine World Championships, it was yet another gong in a long list of awards that Tasmania-based winery House of Arras has racked up in the past 25 years. Arras winemaker Ed Carr could be forgiven for resting on his laurels, but far from it, as Geoffrey Dean found out when he met up with him for a one-on-one tasting in London. Since Carlyle Group’s purchase of Accolade Wines last year, the moves are being made for Arras to become a truly global brand, with production to increase by as much as 50% in the mid-term future.
As well as celebrating some of the world’s current leading players in wine and spirits at last night’s International Wine & Spirit Competition awards night it was also an opportunity to look to the next generation of business talent with the announcement of the IWSC’s first Future 50 Awards list, in partnership with the WSET, to recognise those individuals around the world that they believe will be helping to shape the drinks industry in the years to come. Here are the highlights from both the IWSC awards and the Future 50 list.
Italy is so blessed with different styles of fine wine it can be hard to stand out even if you make as prestigious and world famous wines as Amarone. It’s part of the reason why the Famiglie Storiche group of premium producers was set up. To both promote, but also to protect the reputation and prestige of these unique wines from Valpolicella in the Veneto region of north-eastern Italy. This week, to mark the groups’s 10th anniversary, it is hosting a special walk around tasting in London featuring wines from all its crus and styles. Here Alberto Zenato, president of the group, explains what Famiglie Storiche is all about and what we can expect at the tasting.
The first barrel sample that Peter Sisseck ever tasted was a 1982 Mouton Rothschild. It became a benchmark of quality for the impressionable young Danish winemaker who left Bordeaux for Ribera del Duero and Pingus where he makes some of Spain’s greatest wines. Sisseck returned to Saint-Émilion a decade ago with the intention of making old school terroir-driven claret that relies on its limestone soils rather than over-extraction or over-barrelling for its power and individuality. In the intervening years, however, he believes Bordeaux has suffered from a standardisation that is making many of the wines taste the same. So how has he set out his stall differently? And, most importantly, are the wines of Château Rocheyron displaying those changes?
“It’s not a world we know – it’s unchartered territory”. But that does not mean the team at Origin Wine is not determined to make a success of their new venture into the premium on-trade with Origin Vineyards. An opportunity for Origin’s founder, Bernard Fontannaz, to take his considerable commercial experience working with the world’s biggest supermarkets and bring a more market, consumer-focused approach to his range of initially South African and Argentine wines for premium quality restaurants.
The English wine industry continues to surprise and surpass all expectations as production, quality and respect all around the world increases with every vintage. One of the leading players responsible for those changes is Ridgeview in East Sussex. It therefore feels very timely that a key member of its team, Tom Surgey, who heads up its sales and business development, should be shortlisted for this year’s IWSC Julian Brand Memorial Trophy to recognise one of the rising new talents of the wine industry.
Simon Robinson has an unique perspective on the British wine industry. He has fingers in a lot of pies – as chairman of both Hampshire-based winery Hattingley Valley and industry association WineGB. And he is bullish about the future of both. He has grown his estate from empty chalk hills to being one of the UK’s biggest wine exporters, his award-winning winemaker Emma Rice is set to make their first still Chardonnay and he believes that Brexit and a weaker pound will help the maturing industry secure distribution abroad. Justin Keay talks to the Hattingley team as well as tastes through their new releases.
Simpsons Wine Estate was set up in Barham, Kent six years ago with the intention of making English sparkling wine. The news that its Chalklands Classic Cuvee has just won a major gong at the CSWW awards with its first ever release is an indication that their young operation is producing sparkling wine at the right level of quality. But a third of its output is English still wine, a category that they believe holds the secret to their long term success. Peter Dean met them on the eve of their 2019 harvest to find out how they intend to take English still wine into quality levels it has so far failed to reach.
The UK wine trade is used to having the opportunity to take part in special wine tasting events. The world of wine is always keen to show what it can do to some of the planet’s most influential buyers. On November 1 the opportunity falls on Napa Valley to demonstrate how the style and diversity of Cabernet Sauvignon has evolved over the last 30 years with a special Perspective tasting that will allow producers to show how one wine has changed and adapted over three vintages. Here’s what you can look forward to.
Thankfully Liam Hirt and Danny Walker are not only close friends, but have become successful business partners in not one but two craft spirits businesses based in Bristol. First the Psychopomp Distillery, which is the result of what happens when you take a hobby that started out in a basement and open it up to the public. Its limited edition craft gins now sell out on demand. It is now looking to do the same with its grain and whisky concept, the Circumstance Distillery which is as much about combining flavours and ferments as it is about craft distilling. Richard Siddle caught up with this fascinating duo who have also created their own craft spirit cryptocurrency…as you do.
Famous for its historic Port production, it’s hard to believe that the Douro didn’t really make still wine until the end of the last century. Five producers changed all that – Quinta Vale D. Maria, Quinta do Vallado, Quinta do Crasto, Quinta do Vale Meão and Niepoort – and together they make up The Douro Boys. David Kermode, aka Mr Vinosaurus, flew to Porto to meet each of them as they get together to celebrate their 15th anniversary with a fund-raising auction which, this year, broke all records. He meets the characters, all of them very different, who have done so much to raise the profile of their region and highlights a few of his favourite wines.
If generic bodies like Wines of Argentina are going to get the message across to buyers and sommeliers across the country about how far their wines and styles are changing then it means putting the hard yards in. Which is what the autumn series of Barullo Sessions from Wines of Argentina is all about. The chance to take Argentine producers on the road and introduce them to key players both in and around London, but also in Scotland with a special event next week in Edinburgh. UK ambassador for Wines of Argentina, Phil Crozier, explains what they have in store.
Since acclaimed Austrian winemaker Lenz Moser accepted the role of chief winemaker at Château Changyu Moser XV in 2014, he has developed a range of wines that is sold in 40 markets around the world, including his barrel-fermented white Cabernet Sauvignon that has become the most successful Chinese wine ever, winning three major gold medals in Europe. His latest project is a super-premium Chinese wine to be launched in Marrakech, Morocco next spring, a Cabernet Sauvignon that will cost a hefty €150 a bottle. Louise Hurren caught up with him in Yinchuan and discusses his successes, mistakes and ambitions with bringing Chinese wine to the West.
They’re like buses and policemen… you wait an eternity to hear about a wine from Luberon, as we did with Les Quelles de la Coste, and then a week later everyone’s talking about them. Geoffrey Dean travels to this sunny corner of France made famous by Peter Mayle’s A Year in Provence and discovers why the wines of AOC Luberon have got everything going for them. Dean visits Château La Canorgue, which inspired the film A Good Year and also the domains of two individuals responsible for raising the profile of the area – Fabrice Monod at Château Fontvert and Paul Dubrule at La Cavale.
Ahead of this month’s Wines of Georgia trade tastings in London (October 2) and Manchester (October 8), Peter Ranscombe highlights six wineries that stood out for him on a visit last week to the former Soviet state. With a two-year waiting list for winemakers wanting to buy the nation’s iconic qvevri clay vessels for fermentation and ageing, production of higher-quality wines is poised to expand, creating more opportunities for UK merchants and restaurants looking to tap into the growing consumer curiosity surrounding amber wines.