If you are a wine buyer for a leading importer, restaurant group, or independent merchant then there are times of the year when you are no doubt spoilt for choice with invitations to go and visit different regions and countries. But which are ones are going to be the most useful, effective and important to your buying needs? It’s what made the recent California Wine Institute event for leading UK and Irish buyers so different. And relevant. Rather than take a group of buyers on a bus around a select group of producers, the Institute brought the producers to the buyers for a series of back to back tastings hosted in the same venue. It meant the busy buyers were able to see over 100 wineries across five days of intensive tasting and take a deep dive into the kind of wines being made across the state. What’s more the producers did not currently have distribution in the UK or Ireland, or both, and had to have wines, with volume, that could the hit the main commercial to mid premium price points. The Buyer’s Richard Siddle, who helped to identify and recruit some of the buyers invited, was also there to get an insider’s take on how it all came together.
The first barrel sample that Peter Sisseck ever tasted was a 1982 Mouton Rothschild. It became a benchmark of quality for the impressionable young Danish winemaker who left Bordeaux for Ribera del Duero and Pingus where he makes some of Spain’s greatest wines. Sisseck returned to Saint-Émilion a decade ago with the intention of making old school terroir-driven claret that relies on its limestone soils rather than over-extraction or over-barrelling for its power and individuality. In the intervening years, however, he believes Bordeaux has suffered from a standardisation that is making many of the wines taste the same. So how has he set out his stall differently? And, most importantly, are the wines of Château Rocheyron displaying those changes?
It was an advert for a cleaning product that ‘kills 99% of all known living germs’ that led former drinks inventor David Gluckman to come up with the idea of Red Chardonnay. He asked himself what happens to the other 1% ? Because, if wine law stipulates that only 75% of a wine has to be Chardonnay to be called Chardonnay then what about the other 25% ? So Gluckman decided to add 25% of a red wine to Chardonnay and call it Red Chardonnay. The year was 2001 and (unbelievably) this actually happened. Read on to find out what came next.
Here’s a conundrum for you. How do you get nine of the UK’s leading wine buyers to meet 18 winemakers in four restaurants in different parts of London in under five hours? Well, throw two Land Rovers into the mix and you are half way home. It’s certainly how The Buyer teamed up with Wines of South Africa to take a group of top buyers on a tour of London restaurants, and the chance to meet some of South Africa’s best winemakers at the same time. Eating, tasting, chatting along the way. Buckle up and join us on the ride…
British wine consumers and buyers are a tad obsessed with the ageability of wines – Cabernet Sauvignon in particular – a hangover perhaps from all that collecting Claret. But while tasting aged Bordeaux is not uncommon in the trade, getting the opportunity to see how well Napa Cabernet ages is a much rarer beast. This much was in evidence as Napa Valley Vintners’ annual ’A Perspective on Vintages’ tasting made its London debut to a packed crowd of wine experts, including our very own David Kermode. The tasting showed off 16 different vintages, allowing Kermode to assess the part played by vintage variation and the consistency of style of the winemakers present.
With so many different parts and aspects of the wine and spirits industry it’s only right we should grasp the opportunity to reward and shine the light on those individuals who are going the extra mile in whatever sector they are in. Which is what the Julian Brind MW trophy at the International Wine & Spirit Competition looks to do. Here we profile two more of the finalists for this year’s prize: PR manager, Sula Richardson of Phipps Relations and wine educator from Tasmania, Curly Haslam-Coates.
Phylloxera. Just saying the word out loud will send winemakers running to the hills. Whilst it might be a thing of the past in Europe, phylloxera is a clear and present danger in Australia with every region fearful of an outbreak. The tiny insect that devastated Europe’s vineyards in the 19th century, reached, for example, the Yarra Valley in Australia in 2006. The only way of beating the plant-killing louse is to graft European vines onto resistant American rootstock, an expensive solution but one that presents opportunities for grape growers, as Peter Ranscombe found out during a recent visit.
Ruinart was the first Champagne house to make a rosé way back in 1764 and they are still going strong. Correction. They are going from strength to strength argues Anne Krebiehl MW who confesses to being taken aback at how good the new vintage Dom Ruinart Rosé 2007 is, as well as the wines shown alongside it – the 2007 Blanc de Blancs and two other vintage Rosés. Ruinart has always made Chardonnay the backbone of its wines, a philosophy that helps achieve one of its prime goals – to be able to drink it from 9am one day to 9am the next.
The success that the craft beer scene has had in the last few years in nothing short of remarkable, not just in terms of the number of brands now available, but the impact it has had on the overall drinks category and number of average drinkers who now think craft beer first when out for a drink. So what do competing drinks do about it? Here brand consultant, Neil Anderson, former marketing director at Kingsland Drinks, sets out five key lessons any wine producer, supplier or retailer can learn from craft beer.
After the success of Trilogy 2015 which was Cabernet Sauvignon dominant, Warwick Wine Estate’s new cellar master JD Pretorius decided to make Warwick Estate Trilogy 2016 Cabernet Franc dominant, making it one of the very few Bordeaux blends in the Cape to have this style of blend. Geoffrey Dean caught up with Pretorius at the launch of the 2016 to find out the challenges of growing Cab Franc in the Cape, why the blend is as it is and to taste the previous vintages of 2012, 2008, 2005 and 1997 to compare and contrast the new wine.